Opinion
What, Exactly, is Kannywood? – Kannywood and Hausa Visual Counterculture
Prof. Abdalla Uba Adamu
I will begin with the end, and in the end, I will end with the beginning.
What is Kannywood?
A Wikipedian provided this perspective: “Kannywood is the sobriquet for Hausa-language cinema. It is a part of the larger Nigerian cinema, known as Nollywood, which includes other production centres producing films in many other Nigerian languages.”
The emphasis, according to this Wikipedian, is on language, and they provided this perspective to distinguish Kannywood from its ‘larger cousin’, Nollywood. This means, whether we like it or not, Kannywood will continuously be seen as part of Nollywood, until we change the narrative ourselves and stopped being awed by an industry that is definitely junior to our own. Let me share a personal experience.
I was privileged to be a Zuma Film Festival Jury in its 2010 edition, as well as the paper presenter. I was the only northerner in the Jury, but not the only Hausa. The team was led by Rahmatou Keïta a Nigeriène Hausa journalist and filmmaker based in Paris. Films were submitted from all over the world, including many from Kannywood, and of course, Nollywood. We sat down over croissants and coffee to decide the approach we should adopt in awarding categories to the films.
Right there and then it was decided that there was no way any Kannywood film will win the ‘Best’ of the categories – Picture, Actor, Actress, Script, Cinematography, etc. I argued that if we went by this reasoning—for which there was no rational basis—that would exclude indigenous language films from getting recognition, including those from Nollywood not in English language. A lot of arguments ensured about production values, storylines, meeting the Zuma Festival submission requirements, etc.
In the end, after two hours of back and forth, I was asked to suggest a category in which all local language films would fit in, even if from Nollywood. I suggested Indigenous Film category. This was accepted. If it was any consolation, foreign film entries were also lumped into “Best Foreign Film”. Meaning that ONLY Nollywood films will get all the glory of being the Best of the best in everything. Thus, for the Nigerian Film Corporation, Kannywood is just a subset of Nollywood. Begging the question, What is Kannywood?
The least NFC can do is to reimagine the festival according to film cultures. Let us say, for the sake of the argument, NFC recognizes Hausa, Yoruba and Igbo film cultures. A separate festival can be held for each of these cultures celebrating their ‘Best’ actors, actresses, cinematography, script, etc. As it is now, no matter how excellent, for instance, a Hausa actor is (or think he is), he will never be ‘Best Actor’ in the NFC festival. And good luck to him attempting to be the Best Actor in a ‘mainstream’ Nollywood film in which he merely appears as a token Aboki to attract audiences to a Nollywood film.
Now, let me address the other variable in this post. “Counterculture” refers to a cultural group whose values, norms, and practices are significantly different from and often in opposition to those of the mainstream society. These groups often challenge established societal norms and advocate for alternative lifestyles or beliefs. Counterculture is expressed in various forms, including popular culture.
Counterculture became critical in contemporary Hausa media anthropology because of the rapid rise and adoption of visual technologies through social media by Hausa youth of all shades—male, female and often transitioning or LGBT+. The visibility in social media provides Hausa youth with a paradoxical cloak of invisibility, in what I refer to as ‘invisible visibilities.’ They visually, boldly and unapologetically appear brash, aggressive, suggestive, sexual, assertive and insouciant. For the most part, we don’t know who they are, despite seeing them and applauding, hailing, hating or cursing them.
The rise and popularity of social media provided Hausa youth with a perfect visual counterculture template. Crude at the beginning, but getting sophisticated as time flies. Initially restricting themselves to the ‘big’ social media – YouTube, Instagram, Snapchat—the arrival of more flexible platforms, mainly TikTok, Reels, gave the freedom to let loose creative energies.
YouTube provided the first explicit platform. It led to the emergence of what I call ‘Hausa Adult Influencers’ They included Muneerat Abdulsalam, Yasmin Harka, Laure Jibiya, Ummi Zandar, Tani Harka 24, etc. They dispense raw explicit advice on heterosexual adult relationships; Laure Jibiya, possibly a pseudonym, was the only one who dispenses her advice from an Arabian face veil, making it difficult to identify her. Ummi Zinder uses a name that has possible connotation to nudity: Hausa zindir; but could also be a referent to Zinder, the Nigeriène city, locally called Damagaram. Falmati Chadi, again like others, without any other traceable history, would appear to come from Chad Republic.
Obviously, each approaches her broadcast—all in the Hausa language—with a script, a production schedule, and a series of technical and editing equipment, all put together by a person who acts as a director. The large numbers of views generated by these channels are completed by internet bots that rip the audios from the videos and make it easy for users to download the voices without having to log on to the video channel – which saves data, and at the same time, enable clandestine engagement with the contents of the channels without the videos.
Of course, they are countless other Hausa-centric YouTube uploads—ranging from music, to short films and comedy skits. Some audaciously affix ‘Kannywood’ to their channels—which is okay since no one owns ‘Kannywood’ as a label for anything. Are these YouTube uploads ‘films?’ Can they be referred to as Kannywood, even if they are NOT necessarily based in Kano or aimed specifically at the markets in Kano?
Enter TikTok and Reels. Millions of videos. Short attention-grabbing dialogues. Some with structured scripts and actors, shooting schedule, clear effective direction and editing, And messages; for it is not all pearls of fun and laughter.
Take Dan Bello. A professional cinematographer and scriptwriter. With world class video and editing equipment, storyline, excellent editing. With script no Hausa filmmaker dare to write or visualize: a critique of society and governance. A 30-second script unraveling over 30 years of spiral corruption and misgovernance. Are we still in Kannywood?
What of Yagamen? Or Murja Ibrahim Kunya. Love her. Hate her. You can’t ignore her. That’s for sure. Capable of evoking almost all emotional ranges: amusement, annoyance, irritation, exasperation, pity, adoration in virtual stand-up monologues. She expresses her thoughts explicitly and does not care whose ox is gored. She has made several allusions to being ‘Kannywood’. Cultural Kannywood will dispute this membership of their hallowed cult. So where do you put Eddie Murphy, Richard Prior, Tracy Morgan, Jamie Foxx, Whoopi Goldberg and other comedians who became some of the biggest names in Hollywood?
And G-Fresh Al-Amin. An excellent rapper whom I mentored once (listen to his ‘Kano to California Remix’). Can he lay claim to Kannywood? Or Hassan Makeup, Sadiqa (previously known as Sadiq) and other influencers with alternative sexualities. Daring to boldly go where no Kannywood producer will dare to go. I know. Purist will claim these are not Kannywood. These social media Hausa alterities lay claim to Kannywood – only that they provide a countercultural narrative. Each skit, monologue provides a story, completing with a marketing structure; for the money is made in the AdSense clicks some have activated. Bringing in few dollars. And no censorship.
If we debunk Hausa counterculture alterities as not being serious, not being ‘films’ in the accepted sense (whose accepted sense?) then how do we explain cinéma vérité? If you have a strong stance on a political or social issue, cinéma vérité is a vehicle to express and defend your opinions. All the Hausa counterculture videographers can be lumped as cinéma vérité—a perfectly valid form of cinematic expression. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality.
This, of course, excluded religious or journalistic social media as these are focused on a particular topic often in a didactic and linear fashion. Counterculture social media is about rebellion to the established public culture, or teasing out things public culture would rather hide or gloss over in a ‘conventional’ cinematic expression.
TikTokers Khadijah Ibraheem and Anti Hussaina use this technique to criticize—as well as appreciate—boys (“kai, guy ɗin nan ya sha wanka”). And in case you label them something else for expression their frank views, they do so in full Muslim hijab, and all clean dialogue. Not a single swear or foul word. Contrast their dialogue with Murja Ibrahim Kunya – all about female sexuality, but in different delivery modes. Aminu J and Abis Fulani provide critical commentaries on news events. Bilal Villa is transnational in using local resident Lebanese in his dialogues, giving a unique dimension to commentary on Kano society. Still not Kannywood? How about this, then.
One of the craziest aspects of Kano is that even people with clearly mental health issues become celebrities in a process the literature refers to Celebrification. The last three years saw the emergence of Ale (a Kano specific corruption of the word, Alhaji) Rufa’i Bulgates (another corruption, of Bill Gates, the founder of Microsoft), the man who created new virtual currencies, ‘Gangalion’ and ‘Americallion’. He uses this currency to buy whole countries. His relatives reported his skit makers to the police and an order was issued banning making any videos of him taking advantage of his gullibility. They started regretting it later, because….
…no sooner had he disappeared from the scene, than another one emerged. Ale Umar Bush. A load-carrier in the Kwanar Singer segment of the Kano Sabon Gari Market. In a short period of time, he became stupendously rich because the way he amuses people with incredibly horrible foul language. I guarantee you, no language provides the most disgusting foul abuses like the Hausa language. This guy knew them all and utters them with relish and stern face. Like a circus performer, he gets invited to meet important people and foreigners, including Arabs and Indians, to be feted for their amusement, with videos taken and sent to their countries: “hey, look, a crazy African.” I once flew in the same plane with him to Abuja where he was invited to provide amusement to people who are presumably mentally healthy, but enjoy teasing a mental patient. Like kids holding a hapless insect in their hands and getting amused at ripping off each of its wings.
Now, he is a film star. Yes, he has just starred in his first 12-minute film, “Sallah Ram Deal in Kano”. It was produced by Abdulgafar Ahmad Oluwatoyin, aka Cuteabiola, a Nollywood comedian, who starred in it. Someone has found a way of weaving a script around a foul-mouthed mental patient and creating amusement for non-mental health people. Cute Abiola himself posted the story on his Facebook timeline. It generated 471 comments, hugely appreciative of this new dimension of Northern Nollywood, and 272 shares. Are we still in Kannywood?
Over the last five years, social media has enabled the creation of Hausa countercultural microcinema—short films, often created with low budgets and minimal equipment, which is a good fit for the brief, often amateur or semi-professional nature of social media videos—and cinéma verité that provide a countercultural narrative to life in both urban and rural Hausa societies. Cinema is multifaceted medium that combines art, technology, and industry to create and share moving images, offering a powerful means of storytelling and cultural expression. Nothing says how long it has to be. Or how expert the cinema maker has to be.
The whole point of my argument is that Hausa social media counterculture skitters, shorties, documentaries, comedies, the whole ball of wax, are increasingly claiming they are also Kannywood. The non-counterculture Kannywood leadership on the other hand struggle hard to create a dividing line. They faced this with the Hiyana incidence in 2007 where virtually every actress is seen as a Hiyana, derailing the image of Kannywood.
I will end with the beginning.
What, exactly, is Kannywood?
Adamu is a Professor of Media and Cultural Studies at Bayero University, Kano. This was first published on his Facebook account.
Opinion
When a Gentle Light Goes Out: The Demise of a Quintessential Dandago
Lamara Garba
A deep wave of disbelief and sorrow swept through Bayero University, Kano, the moment the tragic news began to circulate. Offices fell unusually silent, lectures paused in uneasy whispers, and clusters of staff and students gathered across the campus seeking confirmation of what many feared was true.
Faces reflected shock and grief as the heartbreaking news filtered through the university community that Professor Kabiru Isa Dandago had passed away. For many, it felt almost unreal that a man whose presence symbolised humility, warmth, and intellectual guidance within the institution was suddenly gone.
Professor Kabiru Isa Dandago passed away on Wednesday, 4th March 2026, at the age of 63, leaving behind a legacy defined by scholarship, service, and compassion. His departure represents not only the loss of a distinguished Professor of Accounting but also the passing of a man whose life was devoted to the pursuit of knowledge, mentorship, and the upliftment of others.
Indeed, his passing marks the quiet departure of a quintessential Dandago, a man whose life was woven with simplicity, sincerity, and uncommon generosity.
Those who knew him closely often spoke first of his character before mentioning his impressive academic achievements. Despite his towering reputation as a scholar, Professor Dandago remained remarkably approachable. His friendliness was genuine, his humility disarming, and his conduct consistently reflected deep respect for others. Titles and positions never created barriers between him and the people around him.
Whether engaging senior colleagues, junior staff members, or students, he displayed the same warmth and simplicity that endeared him to many. Above all, he was deeply God-fearing. His life reflected strong moral values rooted in faith, sincerity, and compassion. In him, intellect walked hand in hand with humility, and knowledge was always guided by conscience.
His acts of altruistic benevolence knew no bounds.
Just about a week before his passing, an incident occurred that now carries deep emotional significance. Members of our non-governmental organisation, the Raa’ayi Initiative for Human Development, were mobilising resources for one of our humanitarian traditions. The organisation periodically raises funds to purchase food items for families of deceased colleagues who may be struggling silently after losing their loved ones.
Professor Dandago was among the first to respond.
Not only did he send his contribution promptly, but his donation also turned out to be the highest among more than one hundred members of the Raa’ayi Initiative. Even after making his personal contribution, he encouraged other members to support the project so that the target could be achieved and the families assisted meaningfully.
Unknown to him, he was making what would become his final contribution to the Raa’ayi project.
Today, that gesture stands as a powerful reflection of the generosity that defined his life. The man who was helping families of deceased colleagues did not know that he himself would soon be mourned by the same community. In giving comfort to others, he was unknowingly writing the final line of his own story of kindness.
Within Bayero University, Kano, his influence was both profound and lasting. One of the enduring legacies associated with him is the strong mentoring culture within the Faculty of Management Sciences, formerly the Faculty of Social and Management Sciences. Several years ago, he played an important role in strengthening a mentoring system that has since guided many young academics and students.
He firmly believed that institutions grow when experienced scholars patiently guide younger minds. Many lecturers today acknowledge that their professional journeys were shaped by his advice, encouragement, and fatherly support.
Another notable contribution under his influence was the introduction of the student ICAN programme. Through this initiative, students were encouraged to pursue professional certification with the Institute of Chartered Accountants of Nigeria while still undertaking their undergraduate studies. Today, more than fifty students have successfully obtained ICAN qualifications alongside their degrees, reflecting Professor Dandago’s vision of producing graduates who are both academically sound and professionally competitive.
According to the Dean of the Faculty of Management Sciences, Professor Muhammad Aminu Isa, the faculty has lost a great pillar whose presence contributed immensely to unity and stability. He noted that Professor Dandago consistently worked towards strengthening cooperation among staff while always seeking ways to advance the growth and progress of the faculty and the university.
Born on April 5, 1963, in Dandago Quarters of Gwale Local Government Area of Kano State, he joined Bayero University in September 1990 and rose through the ranks to become Professor of Accounting in 2007. Over more than three decades of service, he held several academic and administrative positions, including Head of the Department of Accounting and later Dean of the Faculty of Social and Management Sciences.
A prolific scholar, he authored over thirty books and published more than eighty-five academic articles while supervising numerous postgraduate students, including doctoral candidates. His intellectual contributions extended beyond the university, as he also served as Federal Commissioner at the Tax Appeal Tribunal and earlier as Commissioner for Finance in Kano State.
Only days before his passing, Professor Dandago delivered what would become his final public lecture. On Saturday, 28th February 2026, he spoke at the 10th Ramadan Lecture organised by the Islamic Forum of Nigeria. In that lecture, he reflected on the pathway to economic development in the northern region, carefully identifying the roots of the region’s economic challenges while proposing thoughtful solutions for sustainable progress.
In mourning the distinguished scholar, the Vice-Chancellor of Bayero University, Kano, Professor Haruna Musa, fsi, described the late Dandago as a complete gentleman, an honest and committed academic whose contributions significantly shaped the growth and reputation of the university.
The Vice-Chancellor noted that Professor Dandago was more than a scholar; he was a mentor and a steady hand in university administration whose calm disposition, integrity, and willingness to support colleagues earned him admiration across the institution.
“His passing leaves a vacuum that will be difficult to fill,” Professor Musa said, while praying that Almighty Allah forgives his shortcomings and grants him Aljannatul Firdaus.
Thousands of mourners later gathered for his funeral prayers in Kano, reflecting the deep respect and affection he commanded across academic, professional, and community circles.
Yet in reflecting on the life of Professor Kabiru Isa Dandago, one timeless truth quietly emerges: life is not measured by the length of years alone, but by the depth of the footprints one leaves behind. Some lives pass like fleeting shadows, barely touching the edges of memory. Others, like that of Professor Dandago, glow with purpose, kindness, and service, leaving behind a light that continues to guide long after the bearer of the light has gone.
Though his years were sixty-three, the influence of his life stretches far beyond the boundaries of time. In the minds he shaped, the hearts he inspired, and the values he lived by, the quintessential Dandago will continue to endure.
May Almighty Allah forgive his shortcomings and grant him eternal rest in Aljannatul Firdaus. Ameen.
Lamara Garba
Director of Public Affairs
Bayero University, Kano
Opinion
Nuhu Ribadu and Umar Namadi: Leadership Beyond the Desk
Yunusa Hamza Farin Dutse
Leadership, in its truest sense, transcends the mere occupation of public office. It is defined not simply by authority, but by the character, discipline, and sense of purpose that leaders bring to governance. In Nigeria’s evolving democratic landscape, the question of leadership quality remains central to national discourse. Citizens increasingly seek leaders whose actions reflect integrity, accountability, and a genuine commitment to public service.
Within this context, two contemporary public figures stand out for the clarity of their convictions and the strength of their leadership identities: the National Security Adviser, Nuhu Ribadu, and the Governor of Jigawa State, Mallam Umar Namadi. They represent distinctive yet complementary approaches to leadership and governance. Although they operate in different spheres of responsibility—one at the national level and the other within the subnational space—their leadership styles demonstrate how personality and character shape policy direction and governance outcomes.
Nuhu Ribadu’s public identity has for decades been closely associated with courage, reformist zeal, and an uncompromising stance on accountability. His rise to national prominence began during his tenure in the anti-corruption fight, where he earned a reputation as a principled reformer determined to challenge entrenched systems of abuse and impunity.
Today, as National Security Adviser, Ribadu occupies one of the most strategic positions within Nigeria’s governance architecture. In this role, his leadership style continues to reflect the same attributes that defined his earlier public service. Discipline, institutional thinking, and strategic focus remain central to his approach.
Ribadu embodies a leadership persona grounded in firmness and clarity of purpose. His approach prioritises strong institutions, coordinated security structures, and long-term national stability. Rather than seeking personal acclaim, his leadership reflects a technocratic orientation driven by systems, procedures, and institutional discipline.
In times of national uncertainty, particularly within the complex terrain of security management, such traits inspire confidence. Ribadu’s public persona communicates seriousness of purpose and a commitment to confronting threats to national stability with resolve and strategic coordination. His leadership reminds observers that effective governance often requires leaders who are willing to confront difficult realities while strengthening the institutional frameworks that sustain the state.
While Ribadu’s leadership operates within the high-stakes arena of national security, Governor Umar Namadi represents a different yet equally significant model of leadership at the state level. His governance approach reflects humility, accessibility, and a deep commitment to grassroots engagement.
Governor Namadi has placed considerable emphasis on dialogue between government and citizens. One of the most notable initiatives under his administration is the Citizens’ Engagement Programme, popularly known as Gwamnati da Jama’a. Through this initiative, citizens across Jigawa State’s twenty-seven local government areas are provided with a platform to directly express their needs, concerns, and expectations to government officials.
The programme also allows the government to communicate its ongoing projects and policy priorities to the public. In doing so, it has strengthened transparency, accountability, and citizen participation in governance. By opening channels of communication between leaders and the people, the initiative reinforces democratic values and strengthens public trust in government institutions.
Governor Namadi’s leadership identity is also distinguished by what may be described as developmental pragmatism. His administration has focused on practical governance outcomes, including infrastructure development, institutional strengthening, and policies aimed at improving the socio-economic well-being of citizens.
Rather than relying on political slogans, personality-driven politics, or inherited partisan loyalty, the governor has built his political relevance around governance performance. This approach has contributed to a governance narrative that emphasises steady progress, responsible management of public resources, and the pursuit of sustainable development.
In a political environment where rhetoric often overshadows implementation, the emphasis on measurable outcomes represents a refreshing shift. By prioritising delivery over declaration, Governor Namadi has demonstrated that performance in governance can serve as a powerful instrument of political legitimacy.
Equally important is the political dimension of his leadership. At the level of party politics, Governor Namadi has demonstrated calculated political organisation through the consolidation of party structures and grassroots mobilisation. These efforts have strengthened political stability while reinforcing the influence of the All Progressives Congress within the state.
Notably, this consolidation has been achieved largely through governance-driven legitimacy rather than coercive political tactics. Development initiatives and social programmes have simultaneously served as instruments of public service and sources of political credibility. In this sense, governance outcomes have become central to sustaining public support.
When viewed together, the leadership trajectories of Nuhu Ribadu and Umar Namadi illustrate two complementary dimensions of governance in Nigeria. Ribadu symbolises national vigilance, reform-oriented thinking, and institutional discipline within the country’s security architecture. Namadi represents grassroots engagement, stability, and pragmatic development within the framework of subnational governance.
While Ribadu operates within the strategic theatre of national security management, Namadi functions within the practical laboratory of state administration. Yet despite these differences, both leaders share common attributes that define effective leadership. Discipline, commitment to reform, and a clear departure from empty political rhetoric are among the traits that connect their approaches.
Their contrasting styles also illustrate an important truth about leadership: governance is multidimensional. At certain moments, leadership requires firmness and the courage to confront systemic threats. At other times, it demands patience, dialogue, and the steady construction of development frameworks that improve the lives of citizens.
Ribadu’s leadership energy is largely directed toward confronting threats and strengthening institutional resilience. Namadi’s leadership focuses on building structures that promote social progress and economic stability. Together, these approaches highlight the different but equally important roles that leadership can play within a functioning democracy.
Ultimately, the examples of Nuhu Ribadu and Umar Namadi underscore a fundamental lesson for Nigeria’s leadership culture. Leadership that is anchored in character often proves more enduring than leadership driven solely by charisma. Institutions grow stronger where leaders choose structure over spectacle and governance over personal acclaim.
As Nigeria continues to navigate complex governance challenges, the importance of disciplined and purposeful leadership cannot be overstated. The experiences of Ribadu and Namadi demonstrate that effective leadership does not always announce itself loudly. Sometimes it appears in decisive action to protect national stability; at other times, it emerges through patient engagement with citizens and the steady pursuit of development.
In both cases, the defining factor remains the same: leadership is most impactful when it is authentic, disciplined, and aligned with the responsibilities of public office. In a democratic society striving for stronger institutions and accountable governance, such leadership remains not only desirable but essential.
Yunusa Hamza (Tafidan Farin Dutse)
Gwaram Local Government Area Jigawa State
08034445493
yunusafarindutse@gmail.com
Opinion
Abba Care: A Lifeline of Compassion in Kano State
Lamara Garba Azare
In Kano State, compassion has found structure. It has found funding. It has found direction. Under the leadership of Governor Abba Kabir Yusuf, healthcare is no longer a privilege negotiated by wealth; it is a right strengthened by policy. What is unfolding across the state is more than reform. It is a moral commitment woven into governance. It is Abba Care.
At the heart of this transformation is the introduction of free antenatal care and free delivery services for pregnant women in public health facilities. For countless families, this single decision has lifted a burden carried in silence for years. Pregnancy, once shadowed by fear of hospital bills, is gradually becoming a journey supported by public responsibility.
A visit to Murtala Muhammed Specialist Hospital in the heart of Kano tells the story better than statistics ever could. The maternity sections are vibrant with activity. Pregnant women arrive daily for routine checks, scans and medical consultations. The waiting areas are filled not with despair, but with expectation. The large turnout reflects renewed trust in government facilities. It demonstrates that when care is made accessible, citizens respond.
The visible reduction in maternal mortality in the state is no accident. It is the natural outcome of access. When women attend antenatal clinics regularly, complications are detected early. When deliveries take place in properly equipped facilities under trained supervision, risks are significantly reduced. Lives are saved quietly, steadily and consistently.
But Abba Care goes beyond maternity services. Through the initiative and the Basic Health Care Provision Fund interventions, free medical services are extended to pregnant women, children under five, sickle cell patients, the elderly aged 65 and above, and persons living with disabilities. It embraces those who often stand at the fragile edges of society. It ensures that vulnerability does not translate into abandonment.
Beyond direct service delivery, the administration has deliberately strengthened and revitalised key health institutions. While the Kano Health Trust Fund and the Drug and Medical Consumables Supply Agency predated the current administration, they have received renewed direction and operational momentum.
When this government assumed office, drug availability in public health facilities stood at below 30 percent. Today, availability has risen to over 95 percent, ensuring that patients who visit government hospitals are far more likely to receive the medicines prescribed to them. That shift has restored confidence in public facilities and reduced the burden of out-of-pocket spending.
Similarly, the Kano Health Trust Fund, once relatively unknown within the system, has emerged as a strong pillar of support across the sector. The Fund provides financial backing to primary, secondary and tertiary health facilities. It supports health-related Ministries, Departments and Agencies and extends assistance to health training institutions. In doing so, it strengthens infrastructure, manpower development and service delivery across multiple levels of care.
Most significantly, the recent establishment of the Kano State Centre for Disease Control has positioned the state as a pioneer in subnational health security, making Kano the first in Nigeria to create such a structure with regulatory authority over communicable and non-communicable diseases. Together, these institutions form a coordinated framework that reinforces the government’s commitment to quality, accessible and resilient healthcare delivery.
Speaking on the mandate of the Centre, its Director-General, Prof. Muhammad Adamu Abbas, described the agency as a defining milestone in the state’s public health journey. He explained that the Centre is designed not only to respond to outbreaks but also to strengthen surveillance systems, coordinate rapid response teams, regulate disease control programmes and deepen community engagement in prevention efforts. According to him, the agency has already undertaken case management activities, public sensitisation campaigns and field investigations in communities where suspected infectious diseases were reported. He reiterated its commitment to preparedness, transparency, scientific evidence and strong collaboration with partners and stakeholders.
Equally reassuring is the Kano State Emergency Medical Services and Ambulance System (KN-SEMSAS). This initiative provides free emergency response and treatment to victims of automobile accidents, gunshot wounds, violent attacks and other critical situations. Pregnant women in distress, patients with hypertension, people living with HIV and individuals battling terminal illnesses are attended to without hesitation over payment. In moments when seconds matter, government intervention becomes the difference between survival and tragedy.
The circle of compassion widens further. Inmates of correctional and rehabilitation homes, as well as elderly residents in Shahuci homes, are also beneficiaries of free medical services. These are citizens who might otherwise be overlooked in policy conversations. Yet under this administration, they are remembered, included and protected.
There is philosophy in this approach. A government reveals its character by how it treats the weakest among its people. When the elderly can access treatment without fear of cost, dignity is restored to ageing. When children under five receive free care, the foundation of the future is strengthened. When persons living with disabilities are covered, inclusion becomes practical rather than rhetorical.
Governor Abba Kabir Yusuf’s leadership style reflects calm resolve. He does not merely speak about compassion; he institutionalises it. Abba Care is not charity. It is structured empathy translated into sustainable intervention. It recognises that public office is a trust and that power must bend toward the protection of life.
Across Kano, families now speak with relief rather than anxiety. A father no longer calculates whether he can afford treatment for his sick child. A mother no longer postpones clinic visits due to registration fees. An elderly citizen walks into a health facility knowing that age has not diminished his worth in the eyes of government.
Healthcare reform may appear technical on paper, filled with acronyms and budgets. On the ground, however, it is deeply human. It is the smile of a discharged patient. It is the cry of a newborn delivered safely. It is the quiet gratitude of a grandmother whose blood pressure is managed without financial strain.
Abba Care represents a broader belief: that development must begin with people. Roads and buildings matter, but healthy citizens matter more. By investing in maternal health, emergency services, chronic illness care and protection for the vulnerable, Kano State is shaping a future anchored in human wellbeing.
Since the introduction of this policy, the impact is visible. Confidence is growing. Trust between government and the governed is deepening.
More importantly, in safeguarding mothers, children, the elderly, the sick and the marginalised, Kano safeguards tomorrow. Abba Care stands not merely as a policy, but as a living reminder that leadership, when guided by humility and compassion, can touch lives in the most profound ways.
Lamara Garba Azare, a veteran journalist, writes from Kano.
